I think it was a mistake to call this movie "Ocean's 8". The modern-era "Ocean's" series began in 2001 with "Ocean's Eleven", then went to "Ocean's Twelve" in 2004, and then to "Ocean's Thirteen" in 2007. Now the franchise is being relaunched with a female-led cast and a problematic title. 8 is about 73% of 11, and it just makes me think of the gender pay gap, which is usually reported to be around 75%. Without giving too much away, this team has enough unofficial members that "Ocean's Fourteen" would not have been an unreasonable title.
"Adrift" is two movies in one - a mushy romance and a harrowing high-seas adventure tale. I guess it's like "Titanic" minus the large scale, $165 million from the budget, and about $550 million from its domestic gross (a generous projection based on its $11 million opening weekend). The film is opening on the weekend following "Solo", and even though that film is performing far below expectations, it's easy to see why many films wanted to avoid the slot. This is a movie for people who either have no interest in blockbusters or have seen too many of them lately and need a break.
Too few people saw the Coen Brothers comedy "Hail, Caesar" back in 2016, but those who did witnessed a terrific breakthrough performance by actor Alden Ehrenreich. Somebody saw how well he played a cowboy from 1950's Hollywood and decided that he'd make a great cowboy from a long time ago in a galaxy far, far away. And thus he was cast as a young Han Solo for a film that takes place between Episodes III and IV of the "Star Wars" series. I really liked Ehrenreich in this movie.
It has been two years since "Deadpool" turned the superhero movie genre on its head with its excessively crude fourth-wall-breaking humor. There had been R-rated comic book movies before, but none had achieved its level of success.
For those of you who think I spent too much time last week whining about "Overboard" not being funny, just a heads up that "Life of the Party" this week is going to be more of the same. It's no surprise that neither movie is any good, their studios sent them out to die against "Avengers: Infinity War". Both comedy bombs lucked out because that movie got moved up a week at the last minute, so they got to open on weekends when people had already seen the superior blockbuster. They still got crushed, just not as badly.
"Overboard" is a remake of a reprehensible 1987 film starring Kurt Russell and Goldie Hawn. In that film, poor slob Russell takes advantage of the amnesia suffered by the snobby Hawn by convincing her that she's his wife and mother to his four children. She struggles with household chores, which is mildly amusing, and the two wind up in bed together, which is disgusting. It makes no difference that she has fallen for him at this point in the film, he is taking advantage of a woman with brain damage, and his actions constitute rape.
As long as there have been The Avengers, there has been the threat of Thanos (Josh Brolin). The villain's visage first appeared midway through the credits of the superteam's first adventure back in 2012. Once 99% of the audience looked up who he was, they got excited to see him in an upcoming sequel. The most we've seen of him since then was in 2014's "Guardians of the Galaxy", which ironically was not an Avengers movie, though still an important part of the Marvel Cinematic Universe.
"Rampage" stars Dwayne Johnson as a primatologist who has to save Chicago from the triple terror of an enormous genetically-mutated gorilla, an enormous genetically-mutated wolf, and an enormous genetically-mutated crocodile. Right off the bat you should know whether or not this is a movie you want to see. But if you still haven't made up your mind, consider this: there are no fewer than three scenes where Johnson steals an empty helicopter. Is that a movie you want to see, one where The Rock steals three empty helicopters?
I really liked "Don't Breathe," the horror movie from 2016 with the blind antagonist and potential victims who had to be careful to not make a sound. That movie had interesting characters, a unique setting, and some great scares. "A Quiet Place" keeps the silence, but forgoes the other elements.
It's no accident that "Ready Player One" opened on Easter weekend, as this movie is obsessed with Easter Eggs. Not the kind one paints and puts in a basket, but little bonuses hidden in various forms of media. The characters in the film are on the hunt for an Easter Egg that gives them control over a virtual reality empire, but more importantly the film itself is full of Easter Eggs designed to delight those nostalgic for pop culture from the late 70's through 90's.