Bob Garver

“By Any Means” is a movie about two disparate FBI employees that can’t decide if it wants to be a “Buddy Cop” movie or not. The pair are mismatched, but are they “comically” mismatched? The pair banter, is there enough banter to qualify for the “Buddy Cop” label? There’s action, but is the action too violent and intense for a term as casual as “Buddy Cop”? The result is an uneven tone that makes the movie too dark for matinee action fans and too ridiculous for true-crime aficionados.

The movie takes place in 1966, primarily in Mississippi. Local agent Wayne Strider (Yahya Abdul Mateen II) is eager to prove that he, as a Black man, can handle more than a desk job. He also wants to help in the investigation into the murder of civil rights activist and personal friend Vernon Dahmer (Giancarlo Esposito). His boss (David Strathairn) notices that Black neighbors of Dahmer are unwilling to talk to white agents, but maybe they’ll cooperate with Strider. The agent is given a special off-the-books assignment that requires some investigating, though he is mostly in the service of informant Gregory Scarpa (Mark Wahlberg), a New York mobster known for uncondoned methods of getting answers. For different reasons, neither Strider nor Scarpa is particularly welcome in Klan-infested 1960’s Mississippi, though it’s not like they’re conducting the investigation to make friends.

Scarpa has certainly shown up to be one half of a pair of Buddy Cops. Everything from his hair to his sunglasses to his drinking and womanizing, indicates that he is the “wild” one of the team. And that’s just his first impression. He’s also got a mean mouth, a short fuse, and an itchy trigger finger. The man starts putting up a body count much earlier than Strider expected. He’s not much more merciful in his interrogations, with the investigation rarely moving forward without information soaked in blood. Then again, at least he’s getting the information, which Strider would never be able to get going by the book.

Strider and Scarpa settle into a rapport, though Scarpa is casually racist and says he doesn’t care about the investigation outside of his specific assignment. Strider eventually learns to give verbal abuse as good as he gets. He even teaches Scarpa an epithet for white people that he doesn’t already know. I found it hard to believe that Scarpa wasn’t familiar with the term, or at least be able to easily guess its meaning from context. His ignorance in this scene is about as embarrassing for the movie as Dr. Don in “Green Book” being befuddled by fried chicken.

When it comes to the investigation, there’s no learning from each other, Scarpa 100% brings Strider over to his side of using violence to get what he wants. And there is a lot of violence. Interrogation scenes see suspects begging Scarpa to kill them, but he won’t end their suffering that easily. Granted, these men are always perpetrators of horrific violence themselves, which just means that all “action” sequences in this movie are a rough watch.

I get the point of making the violence in “By Any Means” so ugly, there are no winners in a hate-based war. I also get the point of making the character of Scarpa so unlikeable (provided it does the real-life Scarpa justice), sometimes assets to justice have to come from the dregs of society. But did this movie have to take so many cues from lighter Buddy Cop movies, as if it couldn’t sell itself as something heavier? And did it have to whiff so badly on its few attempts at levity? The film takes itself both too seriously and not seriously enough, working occasionally, but not consistently. It never quite finds the means to elicit laughs “or” screams.

Grade: C

“By Any Means” is rated R for violence/bloody images and pervasive language. Its running time is 107 minutes.

Contact Bob Garver at rrg251@nyu.edu.