Bob Garver

The big drawback to getting in an advance review of “Coyote vs. Acme” last week is that “Insidious: Out of the Further” is even less relevant this week. The horror film toppled from second place to fourth at the domestic box office, behind even the seventh weekend of “The Odyssey,” while “Spider-Man: Brand New Day” continues to dominate at #1. Fortunately, that drawback is offset by the knowledge that the film was never worth much attention anyway.

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If there’s one horror franchise that loves its jump scares, it’s “Insidious.” The 2010 original sold itself with a trailer that included a jump scare after it had supposedly concluded - not “at” the last moment, like a lot of horror trailers, but “after” the last moment, when the audience thinks they have a beat to rest. The film itself had a gnarly jump scare too, with its infamous red demon appearing in a drably-colored, but well-lighted scene with multiple characters in the daytime, also a setting where viewers think they can lower their guard. But that film also boasted performances by Patrick Wilson and Rose Byrne and an originality to its world. “Insidious: Out of the Further” is the sixth installment in the franchise, it doesn’t boast greats like Wilson and Byrne, and fans very much know what to expect from these films at this point.

We open with a sequence where nine-year-old Gemma (Charli Penton) comes home to a mother (Laura Gordon) who manages a few loving platitudes, but is clearly out of sorts. The mother attacks the child before locking herself in a bathroom, which doesn’t end well. In the present day, adult Gemma (Amelia Eve) is a single mother determined to be better to her own daughter, Maya (Island Austin). She’s present for her at the beginning and end of every school day and talks to her as much as possible about every subject except her late, presumedly-mentally-ill grandmother. This being an “Insidious” film, it’s not long before strange things start happening: old toys reappear after being missing for decades, suspicious people are seen around the neighborhood, and Gemma starts having scary dreams that may or may not be dreams.

Things ramp up. Dentist Gemma has an unsettling appointment with one of the new neighbors (disappointing scares in the rest of the movie aside, people uncomfortable with dentistry “will” be freaked out by this sequence). She gets unreasonably lost in a coffee-table-sized blanket fort and barely escapes with her life. Her cop boyfriend Nick (Brendon Parea) doesn’t believe her when she says she’s in danger. Franchise mainstay Dr. Elise Rainier (Lin Shaye) does, but she can only be so much help considering she’s been dead for over ten years. Eventually Gemma learns that all the scares are because her bloodline has ties to the purgatory-like realm known as The Further and that she and Maya are being targeted by cult leader Cyrus Lam (Sam Spruell), who is supposed to give off main-villain energy, but is somehow less scary-looking than any of his followers.

Like many horror movies, “Insidious: Out of the Further” is at its scariest in its early stages when we don’t know what’s going to pop out. We know that “something” is going to pop out, which itself depletes the scare, but we don’t know what and how. Once the veil has been pulled back on the villains and their motives, the film can’t be scary or exciting to save its life. Even a returning familiar face (other than Lin Shaye’s) couldn’t get a reaction out of my theater. And the non-horror action wasn’t pulling me in. I’m sure the actors are doing their best, but there’s not much interesting about the umpteenth horror setup with a parent, a kid, and generational trauma. After this film, I ask that the “Insidious” franchise go away and stay even Further away than before.

Grade: C-

“Insidious: Out of the Further” is rated PG-13 for strong violent content, bloody images, terror and some strong language. Its running time is 106 minutes.

Contact Bob Garver at rrg251@nyu.edu.